The end...

The End of the F***ing World is a British dark comedy-drama television programme, based on a graphic novel of the same name by Charles Forsman.The programme jointly follows James, a 17-year-old who believes himself to be a psychopath, and Alyssa, a rebellious classmate who sees in James a chance to escape from her tumultuous home life.

Five reasons to see the end of the fuking word

1. Cinematic references.

In several moments it seems that these images we had already seen and in part, that is the charm of the series. The End Of The F *** ing World was initially thought of as a movie, so it is easy to relate it to the noventer films of its court, more exactly to the road movies.

2. Soundtrack

It is clear that the series is framed in the indie and the retro, and of course his music also responds to that dynamic.The sound design goes beyond putting good songs, the grace is in making them sound at the right moment; in the cruel joke, in the views of the sea and in the tragedies that turn out to be several in the series.

3. Brevity

There are eight chapters that do not feel. So entertained and cared for in each of his 20 minutes that it is easy to devour him in a short time without feeling that he has spent a whole day stuck to a screen, and that is needed in recent series

4. History

Two teenagers who do not follow the game to the trivial life and who become transparent both in their families and in their school. They hate to live with a cell phone in their hands and that they are tired of their families and of the traumas caused by abandonment and suicide, all painted in a black humor that leads us to understand more James and Alyssa in their strange world with the Go through the chapters.

5. Characters

They are few characters, which makes it easy for them to meet and relate without having to think much about who is who. James and Alyssa fill the story intensely during the eight chapters. They are rare, she with an intension on him basic for his age, and he with a pathology that is transforming with the passing of the narrative.